Works have been running late for different grounds – bad weather, health crisis, lead pollution to name a few – and it resumed on Monday June 8 only with the dismantlement of the scaffolding around the roof, half melted. But partial reopening remains possible, saying in that case “ this deadline seems possible with satisfactory safety conditions” using the cathédrale de Nantes as an example, as it has been damaged by a fire as well. “ If we talk about the entire building, with external restoration for instance, of course it will take more time” he explains. Yet, on Thursday Jas reviewing works, general Jean-Louis Georgelin reaffirms Notre-Dame will be able to repoen in April 2024.įondation Notre-Dame delegate general and main capital provider for the restructuration of the cathedral Christophe Rousselot said this Tuesday Jon BFM Paris he was skeptical as for the reopening date of Notre-Dame de Paris the President said will be on April 16, 2024. And the coronavirus crisis stopped works, which helped nothing. In Zimbabwe, we lit the set with the lions with Soviet arcs that had come from South Africa, just as had the elephants.When will Paris Notre-Dame cathedral reopen? Since the fire that destroyed most of the famous building in April 2019, the reconstruction time announced by French President Emmanuel Macron is regularly put into question. In Morocco, the Ksar south of Marrakesh that housed The Last Temptation of Christ was the place of the imprisonment and liberation of the children that Nikos Meletopoulos was able to transform just as he created the village in the Ivory Coast out of nothing. In Niger, the brilliance of a petrified forest gave the capture of the slaves a Dantean quality. We’d begun the film in the Ivory Coast and the choice of a region full of hills with dark rocks allowed us to compensate for the hardness of the white sky with our shots that were often taken from birds-eye view. I just had to improvise the lighting that would light his composition with the help of Pierre David. Martin Legrand and Tristan Fabre, the assistants, had to improvise the camerawork without any guidelines, because he himself improvised ceaselessly. Au 2 e plan, Jérôme Arrignon et un membre de l’équipe ivoirienne - Photo Olivia Bruynogheīeing his own cameraman gave him the freedom to compose, to punctuate, and to be solely responsible for the establishing shots, which he would then take apart during editing.
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February 2023
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